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Louver is proud to present an exhibition by artist Rebecca Campbell that features a new series of portraits, all of woman artists.
Motivated by the lack of gender equity in the creative world, and in homage to the artists who inspire her, Campbell began her You are Here project in Fall The first 19 paintings were exhibited at L.
Louver January 13 —February 13, She then employs a limited palette of black, white, and gray to build the portrait.
Although she approaches each work with identical parameters, Campbell imbues each portrait with a unique sense of identity, capturing their likeness with bold and gestural brushstrokes. Each sitter meets the gaze of the viewer, with her strengths and vulnerabilities candidly conveyed.
Beyond subject matter, these works are a celebration of painting itself, and the quality of imagery that can only be brought forth with paint and brush. New paintings under construction. Check back for updates.
For more information on this series or images of the complete body of work please contact LA Louver or the Campbell Studio. My mother and father were both raised on potato farms; black and white photos of that time and place serve as inspiration for many of the paintings in this series.
In van Gogh wrote to his brother Theo: I would suggest that this gesture of turning to the past to examine a more direct relationship between humans and the land is more accurately characterized as nostalgic. When a person acutely experiences nostalgia, time collapses and the past, the present, and the future become one.
A nostalgic moment for me might be triggered by a photograph of my mother as a young woman: Time becomes nonlinear in a space that is both sad and sweet at the same time. Nostalgia somehow enables us to sing along to the tune of our own deaths.
In that light, I am creating works that seek out the seam between ideas and their performance. In specific, theoretical notions of nostalgia, time, and the sublime are considered through physical acts of making paintings, installations, sculptures, and films—creating documents of connections and distances between these realities.
The works of art become artifacts of the ideas that are processed through experiences and the inevitable distortion that occurs between these ideas and their practice.
I, like van Gogh, am interested in the intersection of visceral experience and intellectual production. It is through the lens of nostalgia—with its blurring of before and after, then and now, body and memory—that these paintings attend to land, labor, and the physical realm, staving off, for a time, the false comforts of the purely conceptual.We've got the smartest commenters EVER.
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